Thursday, February 24, 2011
Friday, February 18, 2011
Wednesday, February 16, 2011
"February is thirteen months long in Michigan..."
A PRIMER
by Bob HicokMAY 19, 2008
I remember Michigan fondly as the place I go
to be in Michigan. The right hand of America
waving from maps or the left
pressing into clay a mold to take home
from kindergarten to Mother. I lived in Michigan
forty-three years. The state bird
is a chained factory gate. The state flower
is Lake Superior, which sounds egotistical
though it is merely cold and deep as truth.
A Midwesterner can use the word “truth,”
can sincerely use the word “sincere.”
In truth the Midwest is not mid or west.
When I go back to Michigan I drive through Ohio.
There is off I-75 in Ohio a mosque, so life
goes corn corn corn mosque, I wave at Islam,
which we’re not getting along with
on account of the Towers as I pass.
Then Ohio goes corn corn corn
billboard, goodbye, Islam. You never forget
how to be from Michigan when you’re from Michigan.
It’s like riding a bike of ice and fly fishing.
The Upper Peninsula is a spare state
in case Michigan goes flat. I live now
in Virginia, which has no backup plan
but is named the same as my mother,
I live in my mother again, which is creepy
but so is what the skin under my chin is doing,
suddenly there’s a pouch like marsupials
are needed. The state joy is spring.
“Osiris, we beseech thee, rise and give us baseball”
is how we might sound were we Egyptian in April,
when February hasn’t ended. February
is thirteen months long in Michigan.
We are a people who by February
want to kill the sky for being so gray
and angry at us. “What did we do?”
is the state motto. There’s a day in May
when we’re all tumblers, gymnastics
is everywhere, and daffodils are asked
by young men to be their wives. When a man elopes
with a daffodil, you know where he’s from.
In this way I have given you a primer.
Let us all be from somewhere.
Let us tell each other everything we can.
Read more http://www.newyorker.com/fiction/poetry/2008/05/19/080519po_poem_hicok#ixzz1EAXknLYo
Somewhere in his body--perhaps in the marrow of his bones--he would continue to feel her absence." -Haruki Murakami
Thursday, February 10, 2011
Wednesday, February 9, 2011
IN ANY MOMENT, I CAN BEGIN AGAIN.
ALL ENDINGS ARE INEXORABLY TIED TO NEW BEGINNINGS.
Monday, February 7, 2011
Freedom is what you've done, with what has been done to you.
There's a house for sale. An old woman still lives there. She's dying inside. And her children are already selling her things. And it's sad. Not because "things" matter, but because the old woman doesn't know it's happening, and all she feels is pain, and nostalgia, but she's not sure for what because she can't remember anymore. She doesn't remember the names of her children anymore either, or what is so special, or not so special, about all the "things" that they are selling to strangers who keep coming to the house. She doesn't even know that these people are strangers, because her children are strangers to her now too, so it doesn't really make a difference. All she knows is that there are faces: some the same, some different, she can't remember their names, or if she's seen them before - they all seem new, so it doesn't really matter who they are, or what their names are, or where they came from, or if they are her children, because in two minutes she won't remember anyways. And it's sad. Not because she can't remember, but because her children have grown apathetic, and never bother to explain to their mother what is going on, or why she is in pain, or why she is loosing her hair -or what hair is for that matter- and why her hands no longer look like her own, and why they don't want to work like they use to. All she knows is there's an old woman in a house [it is her house, but she doesn't remember that], laying in a bed [it's her bed, but she doesn't remember that], wearing a stained nightgown [it is her nightgown, but she does not remember that either], this old woman has taken her hostage and is hurting her, and no one will explain -that this woman, is her.
Mathematics assume the model is correct
There's a man, he's riding the C-train, headed downtown toward Brooklyn, after a long day playing with numbers on the upper west side. He's reading a book, about consciousness and metaphysics, and all that crap that seems to be oddly trendy right now in New York City, and other cities where it's never quiet outside, and even harder to keep quiet inside. He looks like he's reading this book, but he's really thinking about how much he hates his job, and misses his family, and feels guilty for never being present. Even when he takes them on vacations to places where the skies are blue and the air is moist, and you can breathe real deep, he's still doing work, or thinking about work, and numbers and money, or on his computer, or phone, answering emails about numbers. He's there on the beach, his family is playing at the shore line, they are laughing, they are calling his name and he doesn't hear them. He's never present. He's always playing with those numbers in his head, instead of playing with his children. And even when he is playing with his children he's still playing with numbers in his head. He doesn't hear them calling. His eyes are scanning those words on the page, he looks like he's reading, but he's really just seeing family portraits, and he's not in them, and no one is smiling, and his wife is sleeping with another man, and he convinces himself it is okay, because he feels guilty, but he misses her, he misses them, he misses who he use to be, but now he's just another number riding downtown.
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